![]() Salamanca Damian Dressick
While Mark pulls the Datsun barely to the shoulder, I try to talk Lynn into
slipping the stuff into her underwear. But Lynn is obstinate and drunk and
doesn't want to get a possession charge on top of the other shit she'll be
staring down in court next month so when the state trooper approaches on
the driver's side and has to knock on the window with a flashlight and the
hatchback smells like we bought it from Snoop Dog and Mark's breath is a
pousse café of Old Style, Evan Williams and
Parliaments and his ID is an expired WIC card, I leap in. But I've been
taking speed for two days and I'm jabbering about the color of the pavement
"mitigating Mark's faculties" and my eyes are like a pinball machine on
tilt and the cop unsnaps his holster and tells Lynn "Get out of goddamn
car!" But Lynn's in the backseat and can't figure out the mechanism, though
the cop isn't buying it and draws his service weapon which pushes Mark a
bit over the edge and truth be told I'm not sure Mark realizes this is
ACTUALLY HAPPENING—he took a cure-for-cancer size dose of Rick Simpson oil
at the reservation diner an hour back-and he slaps the car back into drive
and the cop is shouting "Shut if off! Shut it off!" and Lynn is sliding her
top over her head and the cop, panicking, points his revolver at each of us
in turn, but the stereo's really loud now with the car running and I'm
leaning over Mark trying to figure out how to turn off the child locks and
that's when I see the tractor trailer bearing down in the side-view mirror.
It's closing in on the cop and I reach out the open window grabbing for his
tie, and not having a clue what's going on the cop puts a round into the
roof of the Datsun, but I've got him by the shirtfront between the buttons
and yank him forward into the car onto Mark's lap and the truck goes by
like a train and we all feel the breeze and the cop looks at me, our faces
inches apart. We all smile a bit, like we're lucky to be alive because we
are. We're lucky to be alive.
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