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The Bomb
Angie McCullagh
She is lashed with tape and wires, fixed with a small clock around her
waist that snicks and echoes.
Still, she manages to swim in a turquoise swimsuit printed with loud
daisies and she will bury her hot head in your neck and cry over a dropped
popsicle. She leaps from chained swings, dress billowing, pink cotton
underpants visible before she hits hard grass. She is digging up earthworms
for the pleasure of watching them writhe at the end of her finger. She is
sleeping with a stiff-furred stuffed rabbit, unbothered by the tape
wrapping her arms and legs, the cable curling around her neck.
*
Your sweat runs as you spin the rod to keep the heat even on the glass
bulb. Flames undulate less than a foot away, contained inside a
2,100-degree furnace. You bring the rod to your lips. You breathe the heat
deep into your esophagus. You blow. As hard as you can, the bulb orange and
glossy, expanding into something. What? You're vaguely planning a goblet,
but if it grows too large and floppy, you could form a bowl. Something to
hold candy or cigarettes. You don't smoke, but you sometimes like to
pretend you're a person who would.
*
She stalks to her room, slings the door closed, the crash one tick in a
countdown. The solid panel between her and you is more than a metaphor.
She's been away for two months, something that was necessary to save her
life. To save both your lives.
When you enter her room later, she sits among bits of torn paper watching
videos on her phone. She holds her rabbit to her throat. You ask her if
she'd like to come upstairs, to play with the kitten, Gretchen. She says no
without once looking up at you. She slowly begins to rip another sheet of
notebook paper. "Is Gretchen my replacement?"
"A cat can't replace a human." You ruffle her hair, trying to find your way
back to something, to some other time. She pulls beyond your reach.
You hope the time away worked, that she can resist adding more
crosshatching to her thighs. Thighs that used to be pure milk. Pure
innocence. Thighs you'd give your soul to protect.
*
There is someone who blows glass near you Tuesday nights. He wears a tank
top which you can forgive because his is a utilitarian plain white and
allows you to see the full length of his lanky arms. He is sure as he rolls
his vases, turning his glass as symmetrically as if it were a moon, held in
by gravity. He rolls you as deftly, over and over his futon mattress until
flames lick through you, burn his fingers, char his tongue. You don't
introduce him to your little Molotov cocktail because you are sure he will
set her off, even if he steps very lightly and speaks in a whisper.
A feather could provoke her. A look from you. A post, a commercial, a song,
a photo, a video, a book, a drawing, a thought. Each a possible match
strike.
Anyway, your house bulges with lopsided bowls and tchotchkes you would
rather he not see. Not judge.
*
She leaves trails of paper confetti leading from room to room. It is
evidence that she is trying, is taking out her rage on something other than
her own skin. So you trudge through the soft piles. You make her snacks and
brew her mugs of milky coffee and ask, gently, if she has homework that
night.
When she's in the mood, she forms a teacup with her hands and holds
Gretchen in them, carrying her around from window to window or bookshelf to
kitchen cupboard, showing her the house. She might be reintroducing
herself, too.
*
It would be harmless enough, you finally decide, to let her meet the
tank-topped glass blower. Perhaps beneficial. A male in your midst! And one
you don't mind being around. One you think you even like. You order
deep-fried Jamaican dumplings and cod fish fritters and you all sit around
the old art deco coffee table to eat. She consumes every fritter and dabs
at the crumbs with her fingertip. You say, "Tell him about the birdhouse
you made in woodshop. Show him the trick you taught Gretchen."
When she cocks her head at you, you mime the kitten spinning. She tips her
head back and glowers at the ceiling, her throat long and white. "I'm not
your trick pony."
He wipes his mouth with his greasy napkin.
Slowly, she wraps her fingers around a glass sphere that decorates the
table and was the first piece you blew. She hurls it at the brick fireplace
where it smashes into hundreds of small slivers and for an instant looks
like glittering ice shards. She begins to crawl toward the wreckage and you
caliper your body around her waist, holding her back.
You shout that the broom is in the kitchen pantry.
It was too soon, this gathering. You should have kept the parcels of your
life separate. He sweeps the splinters of glass into a dustpan while she
squirms in your arms. You wish your grip gave her comfort like it once did,
that she would shed her hot tears, molten glass, into your neck and over
your hands.
*
You have been waiting, all of her life, for one massive explosion. But,
instead of a single mushroom cloud of destruction, it has been a series of
pops that you never imagined you'd be able to survive.
And you still, yet, may not.
.
Angie McCullagh's fiction has appeared
in The Sun, X-R-A-Y, Colorado Review, Okay Donkey, and others. She lives in Seattle.
W i g l e a f
05-24-25
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