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His Ear
Nora Esme Wagner
Fuck, Eurydice thinks. Cresting the hill next to Hades' palace is her
husband, clutching his lyre like an anxious, first-time busker. He looks
put off, like he regrets his heroics, his crown of laurels drooping, his
hair resembling hair for once, and not a lump of frozen lemon jelly. She
feels a migraine begin to bloom.
He finds her inside one of Hades' impressive rooms, resting her hot
forehead against a cool window. He chants her name and scoops her off the
ground. Always, he has conflated the last two syllables of her name into
one, not duh-see but dise. Hades raises an eyebrow, and
finally Eurydice can cry too, burying her face into Orpheus' wet neck.
During her first week in the Underworld, she had missed Orpheus. His
warrior body, which had sweetly melted over the years; the animals that
swayed their heads to his strumming. She didn't care that he had bedded
more than half of the Naiads living in the river by their house, or that his
poems were bad. Most nights, he played his lyre while she sat on his lap. He
called her "my ear." Now, he leans closely to whisper something, and she
flinches. He searches her face as if he is looking for more lines.
Hades loves games, which is why he tells Orpheus not to look back at
Eurydice as they leave the Underworld. Sometimes, she plays Scrabble with
Hades in the Asphodel Meadows, where star-shaped flowers dust the board and
their shoulders. He finds smart words that begin with q's and z's. These
games are a betrayal of Persephone, who offers Eurydice pomegranates and
wears high collars to hide bite marks. In Eurydice's stomach, the seeds
squirm, like a colony of hatching fish eggs.
As they exchange goodbyes, Hades' eyes suction onto hers.
Orpheus leads Eurydice through the Underworld by the hand, but they say
nothing. He loosely dangles his lyre. Sweat weeps through the fabric by his
armpits. They take turns kicking pebbles into lava pits. She gets a cramp
in her belly, but doesn't ask to stop. He stares ahead, and she watches the
hairs at his nape undulate in the unpleasantly hot breeze.
Years later, Orpheus will tell romantics whom he'd like to woo that he
looked back because he missed his wife's face. Other times, he'll attribute
his lapse in judgment to the Sun, which appeared in their eyeline so
suddenly and blindingly that they lost balance, tumbling into each other. If
he is drunk enough, he will confess that he didn't believe Eurydice was
following him. He'll repeat: "Her
hand didn't feel like her hand."
Orpheus will be half-right. As the land of the living swings into sight,
and they are once more cast against the lush green backdrop of their
marriage, Eurydice thinks only of the asphodel trees, which shaded her and
Hades as they fucked, still mostly dressed, he stretching her name to six,
seven syllables until it snapped like an elastic waistband. Her hand is
damp, limp, and she can't take another step. She calls after her husband,
hoping that just once, he will be the one to listen.
.
Nora Esme Wagner is a sophomore at Wellesley. Her work has appeared in New World Writing, Moon City Review, Ghost Parachute, and others.
She lives in San Francisco.
Read her postcard.
W i g l e a f
03-08-25
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