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Another Little Piece
Emily Rinkema
It seems obvious to me that our daughter, Tessa, cannot sleep with the dead
squirrel, which she has named Dickie. It's a dead squirrel and she is a
three-year old child. In no world is it okay for a child to sleep with a
dead squirrel. I tell her this. Joe tells me to calm down, that he's
handling it.
Tessa stands in the middle of her bed as if it's a stage, clutching Dickie
to her chest. She wails. She sounds like Janis Joplin. She could be
clutching a bottle of Southern Comfort, wailing to a guitar riff only she
can hear. Her hair is stuck to her face with snot.
I'm exhausted. We're bigger than she is. We could just end this.
Joe kneels in front of our daughter, says it's her choice, asks her to let
go, tells her it will be okay, that we love her, that Dickie is happy, that
he's with Grandma now, with Charlie. He sounds so calm, so sincere I almost
believe it myself.
Tessa takes a breath and I think it may have worked, that Joe's
infuriatingly calm approach might have done it. But she closes her eyes and
starts wailing again, too tired to make words anymore, and I see her there
on stage, swaying, the world she doesn't understand—or doesn't want to
understand—thrown over her like a weighted blanket.
My head is killing me.
"Give me Dickie," I say, "I can fix him."
She opens her eyes. I think maybe she knows it's bullshit, but she also
knows she hasn't got much left. She continues to hold the dead squirrel,
but her wails get softer, slower, low and raspy gulps now. She looks from
Joe to me and back to Joe, as if she knows he's the one who will always
tell her the truth, as if she knows I'll always be the liar in the family.
I can see her at eight, at 15, at 29, furious, stubborn, loud, so much like
me that she won't even be able to look at me.
She's still waiting for confirmation from Joe, a sign that I'm telling the
truth, that it's okay to let go of her friend, and even though I'm not
looking at him, I know he hates me. Not all of me, but a piece of me.
Tessa holds the squirrel out, and because it's already too late to do
anything else, I take it.
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Emily Rinkema's work has appeared in X-R-A-Y, SmokeLong, The Best American
Nonrequired Reading, The Sun, and others. She lives in Northern Vermont.
Read her postcard.
W i g l e a f
02-28-25
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