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Personae
AnnElise Hatjakes
If Tara's real life were more like a scene in the Level 1 Improv class
she secretly enrolled in, it might look like this: an [astronaut and a
lumberjack] are in a [coffee shop] having an argument that involves a
[pineapple]. Someone always suggests a fucking pineapple, the instructor
complained. But, despite the fun banter between the two women on the other
side of the glass partition, she is not in an improv scene. [Tara and her
teenaged son, Jonah] are in a [Planned Parenthood waiting room] having an
argument that involves [comprehensive sex ed].
"That's not how it is," Jonah says. "It's more scientific, like about
anatomy and pregnancy. Dad wanted me to go."
"Of course your father let you go. He was the one who insisted on public
school, and now look at you. He should be the one here with you instead of
me."
"I wish he was."
A digital chime on the door rings as two people, an apparent couple, walk in
and select the seats farthest from Tara and Jonah. One of them scans through
the pamphlets stored by the door, and Tara doesn't read the title of the one
that's selected, though she desperately wants to. After filling out Jonah's
new patient intake forms, Tara opens one of the resident communal magazines
to a two-page spread about a tryst in Barbados between two celebrities she
doesn't know. She instinctively licks a finger to gain purchase on the slick
pages and then walks to the wall-mounted bottle of hand sanitizer and rubs
one pump of it into her hands. A small cut she got while yanking weeds
that'd invaded the planter box on their apartment's patio smarts as it's
sanitized.
Yes, and
Tara didn't have anything like sex ed when she was growing up. When it came
to bodies, she didn't have any kind of 'ed' at all. She'd been wrong about
the number of orifices she had until at 22, an untreated UTI while she was
still living on her family's homestead landed her in urgent care and a kind
PA explained the basics.
Her mother, who'd homeschooled her and her five siblings, had done one
lesson on puberty (or taught the same lesson twice—once to her and her
younger sister and once to her brothers) that was composed largely of mixed
metaphors. The body is in the chrysalis phase, and it will soon transform
like a budding daisy.
When she first got her period, Tara thought she was dying.
Yes, and
The nurse comes in and moves around the room with such efficient grace in
her purple scrubs that she might be mistaken for a dancer. One of the other
older women in Tara's improv class named Liz shared that she used to be a
professional dancer "in another life." Her posture is stick straight, which
Tara interprets as a flagrant attempt to show off her permanently erect
nipples.
"Getting cold out there, huh?" the nurse asks as she slides her fingers into
latex gloves with impossible ease.
"Yes. They're predicting an enormous snowpack this year, but you know
they'll still go and say we're in the worst drought ever with global
warming," Tara says.
Jonah and the young nurse share an us-versus-her glance.
"But what do I know?"
"It says here that you've been sexually active since—" the nurse flips to
the second sheet in the packet. "Yesterday?"
Jonah looks from his mother to the nurse. From the nurse to his mother. From
his mother to the nurse.
"Yes, that's correct," Tara says.
The nurse trains her eyes on Jonah, gives an encouraging nod.
"We can actually meet privately, if you'd like, Jonah," the nurse says.
"No, you can't. He's a minor," Tara says. She grabs hold of his hand. "Did
you lie to me, Jonah? You said it was just that one time with that girl in
your math class." Tara studies her son's profile, a sharper replica of his
father's. He adjusts on the examination table, and the tissue paper
crinkles.
"Regardless of age, we can see you privately," the nurse says. Jonah shakes
his head.
"A month," he says. Tara lets go of his hand. She inspects the cut on her
finger.
"For a full battery of STI testing, we just need a small blood sample.
You'll feel a poke, but it won't hurt too badly, and we'll be done in a
jiff." The nurse ties a tourniquet on Jonah's arm and searches for a
promising vein.
"I'll actually wait outside," Tara says. A flash of fear passes over Jonah's
face, and Tara is afraid herself when she realizes that seeing the
expression feels good.
After they check out at the front desk, Tara holds pressure on the
gauze-covered puncture too hard and too long so that the gauze fuses to the
wound as the blood dries.
Yes, and
The focus of lasts week's class was on character. Character is more than
funny voices and imaginary props, the instructor said. Start with the
character's walk, their physicality, and the rest will come. Out on the
homestead, Tara wears ill-fitting canvas overalls that she sewed herself.
But here, she wears yoga pants that show the contours of her body, the
outline of her underwear.
As Tara ascended the two stairs to the small plywood stage, she imagined
herself as straight-spined Liz, the way each of her steps looks
choreographed. Tara's eyes connected with her scene partner, and he signaled
that he would initiate.
"I haven't seen you since high school, Doris," he said.
She pantomimed pulling a cigarette from its pack and lighting it. She blew a
puff of imaginary smoke and took a drink from an imaginary tumbler.
"A lot has changed about me since then."
.
AnnElise Hatjakes' debut collection of stories,
MATTER OUT OF PLACE, is forthcoming from the University of Nevada Press. She lives in Reno.
Read her postcard.
W i g l e a f
01-16-25
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