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Let's Go Holoholo
Melissa Llanes Brownlee
stop daydreaming and mend the damn fishing net, already your
father yells at you from the picnic table in the shade of a towering
coconut tree, pounding beers from the cooler at his feet, and you never
like go holoholo with him anyway, but your mother wen make you go and now
you stay mad because you gotta mend the stupid fishing net and all you
like do is go body surfing out past the lava rock reef, and you look at
your brown hands holding the woven mesh of green, the hole as big as your
head that any kine fish can swim right through, and you gather the edges
together, connecting them and tying them, a man's job, but you don't want
to be that kind of man no make me come over there Koa he says,
tossing an empty at your bowed head
Ikaika waits for his mother after school. He's excited to go holoholo with
his uncles tonight. They promised to take him fishing for menpachi down
south, a night just for the kane. He's tired of being the only boy in his
house, his sisters always bossing him around, telling him to take out the
trash, clean the yard, kill the cockroaches. His mother pulls up in their
pickup truck, "Come on. You like go holoholo, right? Your uncles stay
waiting." He climbs up into the front seat. His legs not yet long enough
to step up, yet. "Auwe, Ikaika. You stay getting so big. You stay look
just like your dad." He looks into the side mirror, hoping to catch sight
of what his mother sees, but all he sees is a little boy, not his father
with his dark hair and dark eyes, loud and funny and always smelling of
fish and the ocean. "Ikaika, you bettah be careful and you bettah listen
to your uncles, or else. You stay near them, especially on the lava
rocks." He nods, not listening, dreaming of starry skies and talking story
with the men, their fishing poles cast into the dark waters below.
I pull out my father's bamboo pole from the back of my truck, the one he
added a reel to, the one he swore could catch any reef fish. I run my
hands along each segment, feeling the embedded rings he installed to run
the line through. I'm surprised it has held up so well all of these years.
I remember holding the bucket and shining the light to lure the fish, or
to help my father see, I could never tell; I was just happy to
sit there next to him with the fish he'd caught, a rainbow, flopping in
the water we'd scooped for them, as he talked story—his family, his
father, his grandfather—telling me about the days when they caught ahi by
hand before poles, before the big boats, just canoes and line woven from
hair, hooks made from bones of whales or sharks, and in this fishing pole,
firm in my two hands, I begin to see my father's hands reaching back
through time. I get my bucket and my flashlight and head out to the edge
of the lava rocks. There is the ocean, whole and wide. There is the spirit
of my father just wanting to talk story for a little while.
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Melissa Llanes Brownlee is a native Hawaiian
living in Japan, where she teaches English. She has work in or coming from
The Threepenny Review, Craft, hex, The Cincinnati Review, and others.
Read her postcard.
W i g l e a f
11-20-24
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