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The Greatest of These
Nicole Baart
Creation
The paperwork takes up an entire three-ring binder, a fat brick that is
the sum of all they are. There were home visits and fingerprints at the
local police department, their fingers stained black with the insinuation
that they might not be fit parents. Of course they aren't. Is anyone,
ever? Who can know the sowing and reaping that is parenthood, the soil
that drinks but is ever thirsty, eats but is never full? Still, they are
pregnant with longing. The crib is soft and ready, lined with sheets the
color of a pink peony, a ballet slipper, hope. Their arms ache. It is an
undoing, the genesis of a world already broken, born of loss. A lifetime
later (knowing all they can know), they would do it and do it again, a
little better every time. Realizing it was never about them and never will
be.
Fall
She remembers reading a poem about a farmer crushing the head of a kitten
beneath his heel. It was an act of terrible grace because the runt—unable
to keep up with his littermates—had been trampled by a wayward cow. "Farm
life," her father said when she showed him the poem in her eighth grade
English textbook. As if those two words explained everything. The savage
equation of life and death, of impossible choices laid bare, of awful
things turned beautiful in the strange alchemy of mercy. She wonders now
if he shed a tear, the farmer cradling that small, still-warm body in his
work-scarred hands. If he wished for just a moment that he could explain
how sometimes love splinters and breaks, bone on bone, and is still love.
Redemption
He is forced to lay a palm on his bent leg, just above the knee, to lever
himself up the final step. He's late, and the bleachers are full, and when
he finally sinks to the metal bench he understands: he is old. It's an
irrevocable knowing, as sharp and clean as a paper cut that doesn't sting
until the first bead of blood. And then, it aches. Throbbing high and hot
with the sick-sweet scent of sweat on the court, salty popcorn in the
stands. The squeak of rubber and wood glossed to lacquer is a symphony—and
it used to be him on that floor. He can still feel his heart beat in time
with the ball as he toes the free throw line, coils, springs, lets go.
Sometimes it seems that's all he does. Sometimes it's enough. Often it is
too much. The weight of everything he was and is and will yet be, a burden
too wonderful to bear.
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Nicole Baart is the author of eleven novels, most recently The Long Way Back,
a thriller. She lives in Iowa with her family.
Read her postcard.
W i g l e a f
12-05-23
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