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The Wrong Magic
Frances Badgett
Marina raises her hands and the moon appears just above her palm—a small,
pale half dollar, hidden treasure among the clouds. She dips it in the
ocean and places it against the velvet sky. And then she fashions a
second, a twin.
"See?"
Matt still doesn't find the magic to be worthy. It's not healing the sick,
he thinks. It's not planting the last fruit. It's not draining the ocean,
plucking the debris—plastic trash, fishing line, tangled nets—and
flooding it back. It's not beckoning rain over barren fields, promising
crops. It's not pasting the glaciers back in place. It's not love, not
even close.
He shrugs and folds his arms.
She plucks a bold purple iris from his tattoo and twirls it in the
moonlight. The tide smooths over the pebbles she has artfully arranged
into the letters of his name. Matthew.
He calls it cute. He calls it touching.
She whips her arms and blows him back with a flattening gale. He smiles
and squints into the wind.
"I do see. It's beautiful. But what can it do?"
The windows in their childhood cottage are bright with light, the
barnacled stilts tall to keep the tide at bay. He watches her gaze up at
their small wind-battered, rain-faded first-and-only home; the last
house along the shore after the rest were swept by storms. Their father
hewing it from the trees, not knowing they would become rare giants. The
last years have been lonely and unrelenting with the deer dying off, then
the geese. Nothing seems to last anymore. It's all just a series of
endings. We have each other, they have told themselves since
birth, both placed in the same crib, in the same striped pajamas.
But just after they lost the bluest skies and final patches of forest and
before the end of chocolate and coffee, her magic came—a
pomegranate in her fingertips fashioned into jewels. A Persian rug she
stroked turned into a portal to the last grocery store within a hundred
miles. A pencil tucked in her hair became a butterfly, dusting the curved
shell of her ear with oranges and yellows before floating out the open
window. Their late dog's leash, reminder of walks when there were
neighbors and orcas and farm stands, became a strand of bright
self-illuminating lights.
They called them Wilkie Lights in his honor.
"Turn on the Wilkies?"
"Sure."
Matthew wanted all the damage reversed, clocks turned back. Even as
children, Matthew wanted Marina to unmake the impossible. When their
father fell over the wheelbarrow in their small garden, Matt begged Marina
to bring him back. She couldn't even turn a shawl into marble back then.
"Why can't you put the geese back in their V in the sky? Why can't you
sprout spinach from bindweed? Why can't you calm the oceans?"
She raises her shoulders in a shrug and steps into the lapping current.
She lifts her boot, wet to the ankle, and stamps into the shallows and the
entire ocean glows like fire.
"This is what there is," she says. "This is what I have."
.
Frances Badgett's work has appeared in X-R-A-Y, SmokeLong Quarterly, 100 Word Story, and
others. She lives in Bellingham, Washington.
Read her postcard.
W i g l e a f
11-26-23
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