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Salvation
Aracelis González Asendorf
My name is Graciela, and I hate it, so just call me G. I'm here because I
got sent here. And I got sent here 'cause my mom caught me screwing Freddy
in her bed. I don't know what pissed her off most, that I was cutting
school, that I was fucking Freddy, or that I was doing it on her clean
sheets. So she said, That's it.
Next thing I know, she's pulling me out of school and putting me on a plane
heading for Florida out of JFK. Says Freddy was the last straw. Ask me, it
was the sheets, but whatever. She packed my one bag herself, just shoving
stuff in there, going on about how I was fifteen and had no respect. No
respect for her, no respect for school, no respect for myself, and how her
Tía Nilda, who raised her, had taught her respect. I was gonna ask if all
that respect Tía Nilda taught her was why she'd bounced from loser to loser
ever since Papi split when I was four. I wanna know if all that respect is
why she jumps from shitty job to shitty job, and why we move from bad
apartment to worse apartment every couple years. But the way she was
grabbing fistfuls of clothes and shoving them into that duffel bag made me
realize if I so much as said boo, she'd be grabbing fistfuls of my hair
instead.
Besides, when she said Florida, I thought beaches and palm trees had to be
better than sitting in some dumb classroom listening to some teacher going
on about how passing some standardized test was gonna determine my whole
goddamn life. Except when I get here, I find out Tía Nilda lives in Ocala.
She picked me up in Tampa, headed north, and kept on driving. When I ask
about beaches, she says we're more in the interior. "Tú sabes," she says,
"como dicen en español, en el interior." I tell her I don't 'cause I don't
speak Spanish, but what she means is we're in the middle of the state miles
and miles from any beach, or any anything, not even palm trees.
When I ask why she's living in Ocala and not in Tampa where Mami grew up,
she says God called her and her husband to spread his word where it was
needed. No shit, she says this with a straight face like they got a phone
call.
Tía Nilda is super religious. She lives alone 'cause after she and my
great-uncle got "called" to Ocala, he straight out dropped dead of a heart
attack. I was gonna make some crack about how the connection must've sucked
on that call, but I sorta felt sorry for her. She is bony thin. She only
wears dresses. Shapeless, almost to her ankles, like
rolled-in-on-a-covered-wagon, seriously ugly-ass dresses. She doesn't drink
alcohol and she doesn't drink coffee. No meat. She does jack shit from
sundown Friday to sundown Saturday except go to church. Friday night,
Saturday morning, and back again Saturday night. Her church doesn't look
like a church, I mean with like rows of seats and a steeple. It's just looks
an old store. Some mini-mart that shut down.
Tía Nilda prays for me, and prays for my mom, and prays for herself, and
prays for the entire whole freaking world. She thinks if my mom hadn't
walked away from God, Papi wouldn't've left and she'd be living a better
life. Tía Nilda tells me this as she fixes meatless spaghetti. I point out
that she didn't walk away from God and she got left just like Mami.
I see her flinch. She puts the lid on the spaghetti pot, and says I need to
think about my eternal salvation.
But I've already thought about eternal salvation. First off, nothing is
eternal. Nothing lasts—not my dad sticking around, not the brief times when
my mom is happy 'cause she figures this job, this guy,
this place is the one that'll stick. Nothing good ever
lasted for sad, shrunken Tía Nilda neither. She never figured her husband
would drop dead unexpectedly. Or that she couldn't have her own kid, or that
the abandoned one she did raise would move away at nineteen and never
return. She just got sent the backup team—a second kid for her to rescue.
Somebody else who's not sticking around.
And salvation? Salvation comes when I fly the fuck outta here. I'll meet up
with Freddy—or some other dude like Freddy 'cause like I said, nothing
lasts—and we'll eat a blood-red steak at Applebee's, and then do it on clean
sheets.
.
Aracelis González Asendorf was born in Cuba. She's had work in TriQuarterly,
Brevity, Puerto del Sol, and others. A collection of stories, DRESSING THE SAINTS, is
forthcoming from Black Lawrence Press.
W i g l e a f
10-11-23
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