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Mormons on Broadway
Christine Kandic Torres
We knew who they were: the only white boys on the street, dressed in
dark slacks and white shirts. When they opened their mouths to speak to us
at the newsstand where we bought our cigarettes after school, they came at
us straight like they were asking directions.
"That's not good for you."
A silence before we elbowed into laughter, clucking our tongues and blowing
raspberries.
"Okay," we said. "Thanks for the tip."
"You should treat your body like a temple," they said, not circling us like
sharks, but standing awkwardly to the side, a picket fence of pocket
protectors.
"Besides." One of them pinched a pink bottom lip between his teeth. "You're
too pretty to smoke."
This sent us flying into the crosswalk, chins up, barking clouds of laughter
into the setting January sun. What did these men know about our bodies? Men
of God, Abuela would say, men of the west, men with soft blonde hair they
combed from their forehead as they hiked up and down Corona Avenue, trying
to make sense of the noise and the neon fried chicken, trying to turn the
old gamblers away from the chess tables at the park, trying to trace the
lineage of the visible pantylines inside our VIM jeans.
What did these men know about how the two of us would warm our winter noses
in the hollow of each other's neck until the Q58 pulled up? How we knew
which jeans had the right sized pockets to slip our hands inside, underneath
our bubble jackets, while we hugged? How we wore the same green apple
hairspray because it reminded us of the Sour Punch straws we used to share
before church?
"Mormons are some made-up shit," you said, dipping your finger in the holy
water inside the entrance to St. Bart's, the smell of incense always heavy
in the air, but its source never seen; an article of faith.
"What do you mean?" A thumbprint of water slid down the skin between my
brows.
"Some dude just showed up in a wagon one day, and was like, Nah, I'm the
real Jesus. Follow me."
We sat down in the second pew, closest to the aisle. Above us, a porcelain
Jesus hung off a ten-foot crucifix, bleeding eternally from the nails
hammered between his bones. His eyes seemed to cross in pain, staring up at
the ceiling, at the sky, at his father.
"People are wild," I said, sneaking my still-cold hand under your thigh for
warmth.
We sat there, waiting for Father Manuel to finish his prayers over the
tabernacle and begin his lesson. We watched his head silently nod in front
of the gilded cage, and I roped my Converse-clad foot around your ankle and
felt both of us relax, each of us a sanctuary for the other, transmogrified
from teen girls into something more not by the mystery that surrounded us in
the dark church, but by the magic of our own touch, molding us into
something powerful, known, if only to each other.
.
Christine Kandic Torres' debut novel, THE GIRLS IN QUEENS, is new this month in
paperback.
Read CKT's postcard.
W i g l e a f
05-29-23
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