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Woman of the Year
Claire Polders
In
January, a missing creeps into her life like the winter cold. She still
enjoys her days, climbing mountains, sorting books, firing kick-ass emails
to clients. And she isn't lonely: friends speak to her from screens and
across tables whenever she reaches out. But there's a nameless
absence that feels like a deprivation, as though she's lost something along
the way.
In February, he smiles at her from afar, from the health food aisle in the
supermarket, a distance she must travel. Immediately, she's alert,
aroused. Traveling excites her. Who will be the first to advance? She
denies it with her heart, her mind, her feminist truths, but once he pours
her a glass of pinot noir in the café next door, she wonders whether what
she's been missing in her life could be a man.
In March, she feels whimsical, lost in the complicated world of sex. She
seems to have returned to that experimental stage of youth in which one
wants to try out everything. Her energy is startling. If only she could
channel some of her libido into her career.
In April, they glance up from the present to peer into the future and
compare notes. They zoom in on overlaps that promise bonding: exotic
destinations, no children, art exhibitions, the intention to stay kind to
the world no matter what. We found each other at the perfect moment, he
tells her. She nods, although she doesn't agree. She has the feeling of
being found, not of having found, and secretly ponders the difference.
In May, she casually takes a weekend off from being together. He responds
with neediness. Having grown up with three sisters, he believes he bears
the key to any female psyche, and what her behavior signifies, clearly, is
that she's holding back. I am? she asks. Yes, he replies, you're afraid of
losing your independence. Should we smother each other instead? she asks.
Yes, oh, yes, please! They make love there and then as though needing to
convince an invisible audience of their undying devotion.
In June, he tells her she's too physical for him, which makes her feel
vulgar, temporarily, and confused. But perhaps he's right; who is she to
tell him what he likes? She will have to masturbate when he's not around,
even if that means she must take her habits into the tiled confines of his
hallway bathroom.
In July, his complaints multiply. She is too aloof, too busy, too
defensive, not committed enough, not sufficiently interested in his
dreams. It appears that he has fallen in love with an improved version of
her, an ideal non-existing twin she can only emulate in short bursts. But
she's trying, genuinely trying, and that should count for something, they
both believe, even if she often fails to get it right.
In August, she travels with her widowed mother on a cruise from Trieste to
Siracusa, ignoring most yet not all Italian men. Reckoning with the
fragility of his male ego, she only sends him pictures of architectural
marvels and gustatory delights. The cream-leaking hand-sized cannola
breaks him nonetheless. She is passive-aggressively unmanning him long
distance.
In September, she tries a new strategy. Whenever she doesn't understand
what she has done wrong, or not done right, she apologizes anyway, and
smiles as he praises her for having seen the light. Their lovemaking,
however, sinks to the level of nostalgia. They do it for old time's sake.
She imagines what it might feel like to be him, to be so sure you haven't
done anything wrong.
In October, she brings an end to the make-believe and lets an unfamiliar
meanness inspire her deeds. If you must know the truth, she says, I'm
always late because you're just too boring to be with for long. After
having feared to displease him by accident, it comes as a freedom to
displease him deliberately. Now his hard eyes and cold shoulders are at
least deserved.
In November, she feels so rejected that she suggests they break up. He
interprets her suggestion as the definitive proof that he has been right
all along and she never truly loved him. When she doesn't contradict him,
taking the easy way out, he turns her suggestion into a fact that hinges
on a dare: they will separate unless she sacrifices her independence.
In December, she feasts on theater and apple pie without regrets. The
vague missing of the previous winter has morphed into an existential
puzzle that she may or may never solve. But a puzzle isn't a problem. To
live, she has learned, is to wonder.
.
Claire Polders is the author of
four novels in Dutch and co-author of one novel in English for younger
readers, A WHALE IN PARIS. Her short prose has appeared in TriQuarterly,
Tin House, Electric Literature, Prairie Schooner, and
elsewhere.
Read her postcard.
W i g l e a f
06-08-22
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