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The First Ketut Returns
Tara Lynn Masih
The bamboo ladder sways. It feels as if the wooden staircase wants to
knock Ketut away from her task when a light rain squall blows through the
tree tops. Instinct makes her cling to the ladder till it settles. Then she
continues to gather the clove bunches into a gunny sack. The scent is
intoxicating, and brings her back to childhood. She spent many years as a
young girl battling wind and gravity and swaying branches. One cheek still
bears a white scar from a lost fight with a branch whip, just before the
weather turned.
This feeling of being drunk on clove scent. It is almost welcome again.
***
She is named Ketut because she was fourth in birth order. Also, because her
mother had borne nine children and thus there was a second fourth child, she
is now known as Ketut Santi, Peaceful Ketut, so there would not be
two Ketuts in the family.
Ten days after she returned to her village from the resort town of Kuta, she
was already picking clove buds. She had traveled as far away as she could to
leave this brittle ladder and the tall trees and poverty that once clung to
her like a second skin of oily sweat.
She found her place in the exclusive Rumah Bali resort. Working in the
kitchen. First as a dishwasher, then eventually as an assistant to the head
chef. She was proud of her speed and her prep work. Last year, she even won
the resort's carving contest. She sculpted a melon into an elaborate boat
that held gifts for the gods. She brought the ribbon home with her, "FIRST
PLACE" embroidered in tinsel. It now hung above the bed she shared with the
second Ketut.
The young villagers were all returning from resorts and cities on bikes and
buses and on foot. Planes were no longer full. Two cooks at her resort died
of the virus, and another chef tested positive. The resort sent her home.
Parents had lost their children to modern life. They were used to being
alone and struggled to keep their farms going. Now during homecomings, they
wore great smiles that left deep rivets in sun-darkened faces. More land was
cleared, more cloves picked at greater speed. More nicknames needed as
siblings with the same name lived together once again.
"What is the resort like?" the second Ketut whispers, the five words making
soft puffs in the first Ketut's ear.
"Hummm. People dress better, eat better. The tourists' beds are hung with
curtains and the bathrooms are as big as our house. White people give orders
and don't look you in the eye." Ketut Santi looks at their faded, torn
coverlet. "But my bedsheets are clean and don't have holes. My belly can be
full, if I want it to be. That's the best part."
"Will you go back?"
"Of course," she replies. The second Ketut sighs, sounding like their
mother, and places a thin arm over the first Ketut's chest, as if to keep
her older sister from fleeing in the night.
***
Gripping the ladder, Ketut descends with her laden sack. The showers
evaporate and now the sun warms her hair. She joins her family in the grass.
They separate leaves from buds. The coral buds will be dried on large mats
in the sun, browning them for the world.
The virus feels far away. Yet she knows she might have brought it back to
her village. That others will soon do so, if she hasn't.
They are used to disasters. To the earth moving, to its inner core erupting
and clouding everything. But the earth moves and shakes. It warns you. Then
you see smoke and lava. This new threat, they cannot hear, feel, or see it.
Ketut has to remind herself that part of her name means "peaceful." There is
little peace with constant worry.
Her older brother came back yesterday from Kubu, after losing his job as a
porter. Wayan is now out gathering crabs and clams for dinner. He left in
the early morning after the village cocks crowed him awake, wearing his
bright striped work shirt. Their mother had tried to cheer him, offering her
first born his favorite breakfast, black rice pudding. But still Wayan left
sullen to the sea, on a motorbike he doesn't fully own. He will also bring
back instant noodles and rice, maybe some sugar. The staples are being
handed out to those who lost jobs.
Now that almost all the children are back home, there is barely enough to
feed everyone. Soon, even the food aid will run out. They do not speak of
this. The knowledge just hangs heavy in the tree tops and lies like a
boulder under the rusty tin roof in the dark house.
Her finger touches her scar, runs down the raised length of it to her chin.
She does this when she needs to remind herself that she has a life, that
scars heal, that wounds become something other than what they were, attempts
to destroy the bearer.
.
Tara Lynn Masih's most recent book is THE BITTER KIND, a flash novelette co-written with James
Claffey. She founded the BEST SMALL FICTIONS series in 2015.
Read her postcard.
W i g l e a f
11-02-21
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