|
|
Everything Changes, Everything Is Different
Rebekah Bergman
I have this one friend who believes she's living the movie script
version of a life. And I mean it—a friend. I'm not talking about
myself in third person.
Anyway, when she feels sad, my friend steps outside her building and expects
the sky to open up and pour down on her at that very moment. If there's a
street musician on her block, she'll want a melancholy violin song to play
just for her.
This kind of thing does happen to her frequently. I've seen it. And
so she can keep on imagining that she is the protagonist of every scene she
ever enters.
A month ago, this friend closed the mirrored medicine cabinet in her
bathroom and saw the reflection of a stranger standing behind her. She
screamed because it wasn't supposed to be that kind of movie, you
know? But then the man pulled out a bouquet of flowers and she recognized
him.
"Oh!" she said. She had met this man at a business conference in June. At
breakfast, he'd touched her hand accidentally at the waffle station and then
they'd started talking and didn't stop for three days.
In the bathroom, when he took off his glasses, she saw that he was suddenly
gorgeous. They kissed.
They had three wonderful weeks together—a montage—but then they broke up.
I honestly don't know all the specifics, but I think it goes back to that
bathroom scene. The tension and the comedic relief, it was all wrong. Plus,
the audience was primed to mistrust him. Nobody would ever understand how he
had gotten inside her home.
She called me after the breakup. She was crying but still able to speak in
articulate, full sentences. I know she was genuinely sad, but her lines were
stale clichés. She'd wanted the two of them "to last," etcetera.
For years, I have been trying to convince this friend that you can't force a
narrative shape to existence. I have told her a thousand times that we are
not all heading, every second, toward some quiet epiphany. What I mean is,
there is no threshold to cross after which everything changes, everything is
different.
Things happen and then other things happen and it is random and not very
climactic.
On the phone, I told her a story to illustrate this: I recently reached a
point where I felt deeply alone. I took my extra pillow off my bed and I put
it out on the curb as a kind of symbolic gesture to the universe. I even
sighed heavily as I placed it down by the garbage bins. I was channeling my
friend when I did these things, and I told her so.
I was planning to buy a new pillow and after that, I thought I would find a
new man to sleep on it beside me. It felt like the right kind of sequence to
make things happen.
And what happened instead was this: the garbage men left my pillow out there
for weeks. It turned yellowish-green and got moldy and nobody ever touched
it. I kept seeing it on the curb, and it made me feel sick.
I did go to buy a new pillow though. In the store, I ended up learning an
enormous amount of details about pillows, which I have promptly forgotten,
from a pimply teenage employee. His nametag said BRAIN but I called him
Brian, just assuming it was a mistake. Anyway, my new pillow is no better or
worse than my old pillow. Sometimes, I try to miss the old pillow—maybe its
smell or something?—but I don't, not really. The end.
My friend heard only half of my story. When I finished, she said, "A pillow
isn't enough."
"What do you mean?" I asked her.
"You'd need something bigger. Next time try your whole mattress. Maybe also
your bedframe. Then that just might work."
She hung up without saying goodbye.
I held the receiver while the sun set. I was still holding it as the room
faded to darkness then a darker darkness then black.
Rebekah Bergman has work in or coming from X-R-A-Y, Hobart, Diagram, Passages North
and others. She lives in Rhode Island and is a contributing editor at NOON.
Read her postcard.
W i g l e a f
04-29-21
[home]
|
|
|