Friday Night
Gwen E. Kirby


My husband and I should be making a baby but instead we argue about whether to go out for Mexican or order pizza, each taking our standard positions: he likes the Mexican place down the street, damning it as good enough, and me, I know the Mexican place is fine but good enough is not enough when we could get mediocre pizza at home and, while we're waiting, oh, that's right, I'm ovulating, let's get this done, so I take off my bra to show I mean business but instead he puts on a shoe because lately my husband needs to be in the mood, he needs to feel like sex is about love and us and not just about knocking me up, to which I say, lean into it, is meaningless sex not hot anymore?, and I know knocking women up is a fetish, I've been on Reddit, so imagine me swelling and ripening and bursting with seed like a rotten melon thrown across a field by a trebuchet, spilling its guts across the grass, or whatever, I'm not here to tell anyone how to get their dick hard, but I do know I'm losing wood while my husband sits on the couch, one shoe off, one shoe on, saying that we should get out more, to which I say the Mexican restaurant doesn't count as "getting out more" and you know what, you know what, you only want to go out because you don't want to fuck me and he says that isn't true but also do I have to put it like that? and this is when I lose it because it isn't like sex has always been about love, about us, for me, about anything other than getting my husband's rocks off because he's a good guy and sure, let's have sex, one more thing I don't need to worry about for a few days and so I wave his other shoe at him and I say, now it's your turn to suck it up like a big girl, and he says, how the fuck am I supposed to get a boner when I'm sucking it up like a big girl and I say, imagine I'm someone else, obviously, like, do you even know what sex is?, and that is apparently the end of too much even though, as I said, my egg is on the fucking move like Wile E. Coyote ten feet past the edge of the cliff, gravity about to ruin his day, and my husband leaves the room and slams the door and I can hear him pace, say goddamit, I can hear him get on the phone and order the pizza, a veggie garden delight, and he doesn't ask to add pepperonis on half because he knows that I love pepperonis and he's pissed off, pissed off enough to do something petty, something petty that when the pizza arrives there will be no hiding from, and when he finally comes back into the room I don't tell him that I heard, and he sits beside me on the bed and takes my hand and it seems he's knocked the wind out of himself and we bump shoulders and even as I wonder what we're doing, how we can be allowed to make a baby when we don't qualify for a loan, when we buy our wine from the pharmacy, when we fight and buy clever t-shirts online that we don't need and can't afford, when I am medicated for depression and he is a chronic nose picker, yes, even as I think that we are barely clinging to the scab that covers the molten earth, my husband presses me onto my back on our IKEA bed with one leg propped up by books and kisses my face and then my breasts and it isn't erotic but it is sweet and his body is heavy on top of me and, bless him, he is getting his dick hard, thinking about trebuchets strangers women who wear latex and pop balloons, and he pushes inside me and in an hour the pizza will arrive, and we'll open the box and inside, look, there's the pizza with no pepperonis and god, whatever we make together, if we make anything together, when we open the box there's no promise that there will be pepperonis or vegetables, it could be a BBQ chicken pizza, which neither of us like, or a wet mess of Thai noodles, or a fish, dead eyes and cold scales, and why do I want my husband to hold me down on this bed while we wait for the pizza without pepperonis, while he pretends I am someone else and screws his eyes shut and screws into me but this is what we are doing and he comes with a whimper and holds me and whispers I love you against my hair in that way he always has, and I stroke his back and when he leaves to clean himself up I know he's thinking about the pizza with no pepperonis, wishing he hadn't done that, hoping we can laugh it off, as if I didn't hear him call, as if I don't know that the pizza is in the oven, is on its way, as if, when it arrives, I'll do anything other than eat it, because I often need forgiveness, because I love him, and so when we open that box I'll roll my eyes at him, smile, but I won't say anything more, won't spoil our dinner with talk about the absence of the pepperoni, about the empty space inside of me that insists, without ceasing or reason, to be filled, whether we are ready, whether I am ready, or not.





Gwen E. Kirby has work in or coming from One Story, Tin House, Blackbird and many others. This year, she is the George Bennett Fellow at Phillips Exeter.

Read her postcard.

Detail of art on main page courtesy of emilegraphics.







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