Our Visions Steven Grassel
We eat the drugs and rub the glitter on our faces and go to the mall.
The drugs don't kick in. We figured this might happen. We don't deserve the
visions. It is almost closing time. We remember when the mall would be open
all night, but that is no longer the way. All the stores are a little more
closed than they used to be. Some never roll their gates up all the way, so
we have to duck our heads to enter Forever 21. A few of us have things to
return for store credit. We brought the things along, because if the drugs
never kick in, it's good to have some sort of purpose. Back-up plans become
plans, forever and ever amen. Purpose is good. We have it. We have our store
credit and walk into the main hall. Every night, the mall manager reads his
poetry over the mall PA system. We are the deck / of a great ship / balsa
wood planks / fit together / against the sea air. We all know the poem.
Every night, he reads it over the last hour the mall is open. The drugs
aren't kicking in. We are getting discouraged. We all share a hot dog, but
we can't agree on condiments, so it's bites of meat and bread that no one
enjoys. Some of us take larger bites, as if that is the key. Our faces
wrinkle. The horizon looms / as near as away / lines of color / spread
against the other / pressed bodies of lovers. The mall employees tune
out the poem. They are in the zone of work. This is not the poetry hour,
just another hour of tags and bags and touching of dirty paper. Move
please, the man says. I have but one more errand and you are all
in my way. We step aside. We like our interaction with the man. He
gave us clear instruction and we followed the instruction. Yankee Candle
attaches fire to wicks. The mall lights dim and the candles summon us even
though we are a whole 50 feet away. The walk is hard but we get to the
candles. Amazing. All the overlapping smells are beautiful. The
loneliness / of the lone / soldier of fortune / standing at / forever attention.
We knew the drugs wouldn't kick in and they don't. Why did we come here? Not
much else is open at this time. All the parks are ruined, fields of mud.
Even here, most of the stores are half closed but the gateway, the entryway,
the passage, the door to the closed-ish things is open as hell. The lights
are dim now and we look at the candles and they reflect off our face
glitter. Without the glitter we are ugly as hell, and boring. Why do we
keep doing this, we say. Our mother used to tell us if we went to the
mall alone we'd be kidnapped. And a kidnapper will never raise you as right
as I will. Forget about snacks and dessert. Desert winds / flow with
pure / graceful dips / cool dives / into the valley. A father is holding his
daughter's hand and the daughter's a son's and the son's another son's. The
rope of them moves past us and we think about grabbing on or forming our own
but we don't. The rope moves all the way through us, disappearing into a
Foot Locker. We have store credit that we're saving. The mall manager hopes
that someone will read his poem at their funeral. To him, that is the
highest honor to achieve, to be the words that accompany a body into the
ground. How do we know this? Because the mall manager says it at the end of
his poem, before all the gates roll down and the lights dim all the way,
before the store employees are locked inside their stores to sleep until
morning, he says, The highest honor a poem can receive is to be read at
a funeral, as the body is being lowered into the ground. I hope to achieve
that honor. Email me at mallpoetman@earthlink.com for inquiries. He
says it in that sad voice so we know he is serious. We might not hear him
say it tonight. We might leave. But the drugs still haven't kicked in and we
aren't kicked out yet. This is a place to stand so we stand. An
opera singer / at the highest / pitch of her / note held /held longer still.
The place that sells french fries is out of business. We think about buying
a shirt. We want our visions. The spread of glitter on our faces shines in
the light.
Steven Grassel is from Pittsburgh. He's had stories in SmokeLong, Jellyfish Review and others.
Read more of his work in the archive.
Detail of art on main page courtesy
of Godino.
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