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What's Done Is Mine
Amy Rossi
Dulcie comes to her decision while shivering on her back stoop with a mug
of undrinkable tea. The tea is the last straw. Everyone she knows speaks
of tea as a powerful cure-all and even though she hadn't expected it to
work, the bitter taste feels too much like a metaphor. And so she is done.
She will become a witch.
Ever since the night she went home with a man who was always at the same
parties, she had been feeling less than human, because that night he had
decided she was. But it wasn't until she heard his name fall from her
friend Cleo's lips that she decided less human should mean
something, take a form.
She hadn't revealed what happened all at once, but as much as she could
handle saying at a time, spitting out bits until the whole truth cracked
from her mouth. Her friends had narrowed their eyes. Was she sure?
Him? Really?
And then a few weeks later, Dulcie heard Cleo speak his name like it was a
name and not full-on poison and their other friends responded like he was
a person and not a criminal and she wondered if he'd been mean to her cat
or had stolen twenty dollars from a wallet of hers, would it be the same.
Maybe they would believe her if he was a stranger or if she was a
stranger; maybe the very ness of Dulcie gave nuance to the word no.
For her, it's like, here's the math: when people who say believe women
don't believe you, what are you? What's there?
*
She doesn't tell Cleo or their other friends that she is a witch. She
doesn't need to hear another truth shrunk down into something more
comfortable to swallow.
What she needs is a spell. She turns to Salem, to history, to internet
message boards, to that one movie about teenage witches with spiky bobs
and oil-slick lips that inspired her entire look in 1996 even though she
was too young to actually see it. She turns to library books that smell
like they know something, books she prefers to not crack after dark. She
thinks: does this bode poorly for my powers. And also: fuck it.
*
Dulcie reads in the daylight. She drinks water and sometimes straight gin
because that could be a potion, right? She brushes her hair once at night
when it is wet and lets it curl wild as she sleeps. She collects a bundle
of sticks just in case and some weeds from the patchy woods behind her
house. After, a rash erupts across her wrist, and she cures it on her own
with a poultice.
She contemplates getting a cat, wondering if she'd be less angry if there
was someone to love her, but she realizes this is actually a terrible
reason to enter into a relationship with a living being. Even when it's a
cat. Even if cats are like a witch staple.
Some days she snaps a spiked leather choker around her neck and lets her
lips shine dark like clotted blood. Other days, she is all velvet and
lace, Stevie Nicks with a moldy library-bound tome of spells. She tests
out the witches she has seen. She answers one out of every three text
messages, maybe. She starts to think about what else she can leave to the
human world.
*
And then Dulcie understands what a witch is: a woman who gives no fucks
but hasn't given up.
An idea forms.
She invites Cleo and the rest over for dinner. No one can say no to
dinner. They think she is fine, if a little quiet lately, so they say yes.
The spell is the making. It is fighting a mixture of flour and egg with a
rolling pin until her arms have no fight left.
The spell is the pasta, cooked in the sweat-salt that soaks through her
skin every night when she jolts awake from the nightmare.
The spell is the tomato sauce. It is opening her forearm and letting red
meet red so that when they bring their forks to their mouths, they taste
garlic and basil and wine and fear.
She sets the bowl at her dining-room table, can feel them watching her
lips move as she heaps her creation and herself onto plates.
The spell is letting them eat their words.
The spell is believe me.
Amy Rossi has had stories in Barrelhouse, Synaesthesia Magazine, Hobart, matchbook and
others. She's the Managing Editor at Split Lip.
Read her postcard.
Detail of photo on main page courtesy
of Jasper Fields.
W i g l e a f
04-04-18
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