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Waiting Room
Jennifer Dunn Stewart
When she told me, my mother was the exact same age I am right now. I
was wearing my new training bra and pleated pants with neon pinstripes
and she was at the stove flipping squares of tofu with a plastic
spatula. The kitchen smelled like sesame and garlic and the can of
Friskies she had just set out for the cat. They're going to have to cut
them off, she had said, but it's okay because they're going to build me
new ones. She picked up a paring knife and for a horrified second I
thought she was going to perform some sort of demonstration, but she
reached for a lemon and began slicing narrow curls of rind directly
into the wok. It was dark outside, so instead of seeing the front yard
through the window over the kitchen sink I saw my mother in
profile—hair tucked behind her ear, dangle earring shaped
like a gingko leaf—and myself beyond at the Formica table,
just a dot in the pane.
Now, they've put me in the room where they put the women who are
waiting to see the radiologist. It's just a room the size of a utility
closet, an instrumental remix of Lisa Loeb playing through the Direct
TV mounted above the door. There's a lot of pink: vinyl chairs, rosehip
potpourri, potted silk orchids, triptych of official posters for Race
for the Cure. The coffee table is stacked with back issues of Golfer's Digest
addressed to someone named Bill Anderson, 13577 Vista Pointe Circle,
and I wonder which of the techs lives with Bill and his 9 irons. I
don't think it's Lynn, whose hands are cool and smooth as brass
doorknobs, or Rebecca, who I had when I was here for my annual last
week. I think maybe it's the one with the scrubs printed with tiny
zebras—the one who smiled at me from the hall before Lynn
closed the door.
It's going to take a long time, this waiting. But not the kind of time
that goes forward, not the kind that will take me out to my Mazda
afterward and then to pick up Charlotte from tutoring then to Walgreens
and then home, where I will salt eggplants and set them aside for
parmesan. No, it's going to be the kind of time that threads backward
and forward like those knots Charlotte uses when she makes friendship
bracelets. The kind that makes me wonder if maybe my dead mother had
been thinking about her own dead mother while she had been waiting. I
never asked her. Had she also been trying to remember if there was
something her mother always used to say—something about pain
or courage or getting the wax out of a tablecloth—something
about dying?
I look up at the Direct TV and the blank screen is the color of those
blue raspberry popsicles Charlotte loves but I refuse to buy because of
the food coloring. Unlike I did when my mother told me, Charlotte will
ask questions. She'll want statistics and terminology and
Wiki pages. She'll start saying things like blood count and lymph node
and fractional kill. She'll want to be the one who shaves off my hair
or empties my surgical drains or rubs cocoa butter on my nipple
tattoos. Unlike I did, Charlotte will want to see.
Jennifer Dunn Stewart has work in The Los Angeles Review, Monkeybicycle and others. She lives in
St. Louis and is the fiction editor at River Styx.
Detail of art on main page courtesy
of Senorita Leona.
W i g l e a f
04-18-16
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