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A Basement the Size of the World
Naima Msechu
I'm building a basement the size of the world, he tells me. We're
sitting on a couch in the living room and I am eight and he is my
grandpa. I'm staying at his house while my parents spend the weekend
trying to find a nursing home for him. My sister is upstairs Skyping
her college boyfriend instead of keeping me out of my grandpa's hair
like Mom told her to. The living room is dim except for the TV. We were
watching a home-improvement show and it's still playing—beige
and soft-pink and periwinkle flashes of TV light—except now
I'm looking at him.
I started a month ago, my grandpa says, but I have a ways to go. He's
still looking at the TV (the couple has just decided to turn their
guest bedroom into a studio) and I think to myself that waiting for
grown-ups to do things is just like waiting to board the plane my
family took to get here—agonizingly boring. I'm afraid to ask
him if I can see the basement for the same reason I avoid mentioning
sleep to Mom when it's past my bedtime: because if you bring up
something that important at the wrong moment, chances are you'll end up
with an answer you don't want to hear. So I wait, and when the show
ends and the couple is happy he finally asks me if I want to take a
look at what he's built so far.
I say, Yes, I want to, and follow him down the stairs to the first
basement, which he tells me is kind of like the foyer for the
world-basement. The concrete floor is covered with tennis-ball sized
holes that he tells me go miles deep, pointing down and away from the
house in all directions like the bristles of a brush, and someday soon
they'll be connected to make a basement shaped like an upside-down
funnel, thin at the top like the house is and then sloping outward till
it's round and wide as the world.
I want to create a whisper that travels all the way down the holes and
lives in the world-basement when it's done, my grandpa says. He tells
me to try it, so I lie on the ground with my lips over a hole and drop
rustling words in, but I can't. They flee from me like I'm threatening
a spanking, falling with a sonic urgency that tells me we'll never hear
from them again. My grandpa's whisper is much more impressive (I
imagine the words flying around the finished basement world, which I
picture like ours but inverted, like a ceiling viewed while lying on
the ground, when the tops of doorways become raised thresholds and
hanging lights become glowing end-tables), but when he sits up he seems
sad, so I offer him the bag of peanuts I got on the plane.
They make me break out in hives, he tells me and pats my head. I get
the feeling he wants to stay in the foyer of the world-basement a while
longer, and I stay very quiet as I start eating the peanuts. I could
say, I think you're avoiding something; I could say, This is never
going to work; I could say, You probably won't be in this house a week
from now, but I am eight and he is my grandpa and I have just learned
that old people can have nut allergies too, and so when he pulls me
onto his lap and tells me about how he will finish building the
basement the size of the world, I start to think that maybe he can.
Naima Msechu, a native of Germany, is an undergrad at Brown University. This is one of her first
published stories.
Detail of photo on main page courtesy
of jb912.
W i g l e a f
04-05-15
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