The Joke Josh Maday
Peter tapped his toothbrush on the sink, poked it into the holder, and
opened the bathroom door onto the bedroom all dark. A lithic bar of
light spread over Pat's back as she lay in bed facing the wall. Even
now, looking at the hills of her shoulder and hip, watching her breathe
to see if she was asleep, he saw the scene play over and
again—the approach of the punchline, the delivery, feeling
halfway through how he would not be able to land it, and then the
silent faces of these people he saw every year or two, who appeared
nice enough at holiday parties (though Pat made clear what wolves they
became in the office), whose clothing and posturing and jingling
pockets intimidated him, whose talk and demeanor and habits of face
made him feel small; but this year, unwilling to feel intimidated, he'd
unchained his anxiety with a quick few drinks at the
bar—alone, so as not to betray himself by any faux pas or
unprofessionalism in front of Pat's colleagues—and he hovered
near the circled group, watching, listening, waiting for a quick and
clever response to come to him at the right moment, waiting for the
conversation to recommend a story, an interesting fact, a witty
one-liner, or, as it would happen, a joke; but before his buzzing mind
could see ahead he had already begun toward the unraveling end that
revealed itself as he spoke with bluster and bravado, almost with
swagger, looking from face to face, each paying close and curious
attention, including his wife, in whose face he saw the end of
something, and he felt himself faltering in the beam of her blinkless
stare, but he had gone too far, he didn't know if he could just stop
and act like he'd lost his thought and walk away, or if that would be
worse, so he went on spiraling and sputtering to the dead fiery
end—
Josh Maday has had stories in New York Tyrant, Barrelhouse, Action Yes, Phoebe and others.
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