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The Woman with No Face
Kate Fujimoto
I first saw the woman with no face in the sugarcane field behind my
house. I was thirteen. It was summer. They had just burned the field
and I was taking pictures of the white egrets that poke through the
ash, eating bugs. She was standing in the irrigation ditch. I thought I
heard her crying. She turned her head towards me and I ran home with a
bad taste in my mouth.
The woman with no face cannot be older than twenty-three. She is tall
and slender. Her black hair hangs past her waist and shines in the sun.
Her feet are small and white. She never wears shoes. The sheet of skin
where her face would be is as smooth and pale as the surface of an egg.
She keeps herself very clean.
In the spring, she is restless. The March I turned seventeen, she
drowned a boy from my high school in the irrigation ditch. The
newspaper said he had been swimming in the canal and got sucked into a
tunnel by a flash flood, but I knew better. I found him just before the
search party, not far from my house. I saw the woman with no face
sitting in the young sugarcane plants with his head in her lap. Her
fingers spread over his face like a school of pale fish. She was
pressing her thumbs into his eyes. She broke his nose with a quiet snap
and folded it flat against his cheek. She carefully tore the skin
around his mouth and pulled it over his lips.
I knew she was looking at me, because no one else could see her. The
firemen and the boy's uncles passed their arms through her chest and
kneeled on her feet to reach the boy. She looked at me while they
gasped and cried out and pulled someone's jacket over his ruined face.
She looked at me when they finally carried him up off her lap, and she
bent her arm at the elbow as if to smile.
The boy had been tall and good-looking, and everyone wept when they
bore him back to town. All the girls went to the funeral heaped with
flowers. They stared at the closed coffin and passed around snapshots
of him. I tried not to look at the pictures, his crisp grin, his proud
nose. I sat through the service with my arms crossed, rubbing my elbows.
My mother said the woman with no face was an evil spirit, a ghost who
refused to die. She sprinkled salt in every corner of our house and
told me to stay away from the cane field. I went anyway, a few months
after the boy had died. The sugarcane was up to my waist. I found her
walking slowly down the dirt road that leads to the mill, combing her
hair with her hands.
"Why did you do it?" I asked.
She stopped and stamped a foot in the red dirt.
"Was it his face?" I asked. "Was it too good?"
She pulled her hair over the place where her eyes would be.
"I think I've been in love," I said, in my seventeen-year-old wisdom.
"And it often feels that way."
She bent her head as if to nod. A sad noise came from her throat. She
hugged herself around the shoulders, and sank to the ground. I sat with
her for an hour, until she started growing transparent. I thought she
would disappear, leave the living or whatever it is that spirits do,
but the next day, I saw her sitting on the smokestack of the refinery.
Her hair blew in the exhaust. She hasn't killed another boy yet.
Some nights, I see the woman with no face walking under the clothesline
in our yard. She threads her long arms through my shirtsleeves. She
tries on my dresses, and in the morning I find dead moths clinging to
my skirts. We are the same size. I try to imagine how cold and flat the
world must be to her. I stare out at the cane field for a long time
without blinking. The stalks are seven feet tall, and drying out. They
will be burned soon.
Kate Fujimoto has had poems in PANK, Spork Press and elsewhere. This is her first
published story.
Detail of art on main page courtesy
of r8r.
W i g l e a f
03-06-14
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