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A Knock at the Door
Stephanie Yu
Larry and Susan are sitting arms folded at opposite ends of the couch when
their elderly neighbor knocks at the door. She is holding a measuring cup
and asks if they have some flour for an apple cake she is making. Susan
takes the cup, sifts the flour, taking care not to leave air pockets. Larry
makes terse conversation with their neighbor at the front door, his fingers
tightening reflexively against the knob whenever she leans forward to speak.
Weeks later, their neighbor slips while getting out of the shower and dies.
Susan will discover her when she checks on her three days later, having
noticed the smell.
*
Larry and Susan are full of casserole from their neighbor's funeral when
Susan's father knocks at the door. He is holding a bouquet of flowers and
wearing the same belt he used to beat her mother with—the one with the brass
buckle in the shape of a gape-mouthed bass. Larry, not knowing its history,
shakes the hand of his father-in-law and asks if he would like to come
inside. Susan is left with the flowers, which she takes to the sink. As she
begins to cut the stems on a bias, she is suddenly achy from the loss of her
neighbor, who often reminded Susan of her mother. She flinches when she
hears laughter ricochet from the other room.
*
Larry and Susan are about to discuss the gape-mouthed bass when all of
Larry's exes knock at the door. Larry is equal parts horrified and aroused.
Susan tries to mask her surprise that all of these beautiful and vibrant
women had at some point in their lives slept with Larry. Ever the hostess,
she invites them in and sets out what she can find in the fridge—crudité,
onion dip, a mountain of tater tots, and an apple cake, which Susan now
makes in her neighbor's memory. By the end of a night of
laughter at his expense, Larry grows sullen. After they leave, Susan asks
what is bothering him prompting Larry to take what's left of the apple cake
and throw it against the wall.
*
Larry and Susan are getting into the rage issue when their unborn son knocks
at the door. Susan observes that the child is very cute, curly hair, cheeks
like two apple cakes. He is a good mix of the both of them, Susan's upper
lip (a cupid's bow) and Larry's lower (a pout). Larry thinks he looks like a
friend who had once slighted him. They spend all day keeping the child
alive. When he finally leaves, they both collapse on the couch, one somewhat
sad, one somewhat relieved.
*
Larry and Susan are talking about their future when the ghost of their dead
neighbor knocks at the door. She looks somewhat disheveled from the fall
that killed her but she no longer carries the smell. She presents Susan with
an apple cake as a token of appreciation for discovering her dead body and
allowing her soul to pass on. Susan is happy to see her neighbor once again.
She embraces her ghostly form and intends to ask her about the recipe she
can't get quite right since her passing. Larry wonders why the hell Susan
keeps standing at the front door when no one is there and turns the lights
off on them when he exits the room.
*
Larry and Susan are arguing about hauntings when nothing knocks at the door.
With no interruptions, they scream well into the evening. Larry calls Susan
a bunch of names. Susan calls him just one, but that one is enough.
The next morning, a wind rattles the branches of the tree by the
entranceway, making the staccato sound of fingernails tapping at the door.
Larry gets up to answer, intent on ripping it from its hinges. Susan leaves
out the back while Larry is otherwise preoccupied.
.
Stephanie Yu has stories in or coming from Swamp Pink, hex, SmokeLong Quarterly, Phoebe, X-R-A-Y, and others. She
lives in Los Angeles.
Read her postcard.
W i g l e a f
09-14-24
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